Based on the horribly juxtaposed 13 book children’s series, Lemony Snicket’s A series of Unfortunate Events is back on the screen.
After an adaptation starring the ever bold and physical comedian Jim Carey, there was something missing – a certain element of discomfort that made your skin crawl. Long-time and new fans alike are excited to see the whimsical and dark series come to life in ways the movie didn’t.
Thanks to Netflix, 13 years after the movie, fans left wanting more are treated yet again to the world of the Baudelaire Orphans.
Netflix is a growing empire, what with its ever-increasing show and movie collection complete with the little red Netflix stamp in the corner. But none of its other series’ are nearly as daring as Lemony Snicket’s A Series of Unfortunate Events. Clocking in above The Crown as Netflix’s most expensive show to date, and aimed to appeal to every major viewing group, A Series of Unfortunate Events had to jump through all the hoops and stick the landing.
And stick the landing it has, masterfully translating a rich and vivid book series to the big screen.
With Daniel Handler (or better known to A Series of Unfortunate Events fans as none other than the Lemony Snicket) writing for the first two episodes detailing the first book, the show was off to a strong start.
The filming, dialogue and acting perfectly reflect the original material in ways that are often lost in book-to-screen translations. The actual visual and audio result is a style that is resonant with Wes Anderson’s later works like The Grand Budapest Hotel, Moonrise Kingdom and even Fantastic Mr. Fox, with vivid colors, sharp dialogue, specific score, and subtle etchings of humor in small, seemingly insignificant places that make all the difference.
Sticking pretty closely to the original books, the Netflix series has only upward to look. Having only covered four books of 13, and with the introduction of a secret organization only hinted at in the books, the show will undoubtedly grow in complexity and content as the series goes on.